Red, Yellow Blue was the sculptural installation that intrigued me enough to drive the 45 miles to the DeCordova Sculpture Garden and Museum.
I am SO glad I went. First of all, it was a gorgeous day; one of the first harbingers of Fall-- cool, clear, warm with just a hint of a breeze.
Winner of the 2011 Rappaport Prize, Miss Genger hand crocheted more than a million yards of lobster rope, and then painted it, and then laid it out, folded and re-folded it to make an arresting arrangement in the garden. (She had done so previously (with the same weavings, I presume) in New York's Madison Square Park. The Madison Square installation consisted of over 1.4 million feet of rope—the total length equating to nearly 20 times the length of Manhattan—covered in over 3,500 gallons of paint, and weighing over an astounding 100,000 pounds.
If you dial the numbers on the "label" you can her her talk about it. DeCordova: 781 730 4683
extension 5248, 5258, 5268
At one point she arranged it so that it looked like a spill in the grass. I thought the particular red she chose was a perfect compliment to the lush grass.
The red switched somewhat abruptly to yellow part way up the DeCordova estate's hill.
As it crested the hill and veered down hill on the other side toward a local pond, the rope went from yellow to blue.
As I traipsed up and down the hills looking at the "crochet" work from various angles, I couldn't help but notice the echoing flow of Lincoln, by DeWitt Godfrey. It is a playful series of steel tubes which seemed to be progressing from the museum to the bottom of the hill. I wonder if Yale knew that was what he was learning when he was in attendance there.
Cardinal Points by Alexander Liberman.
George Greenamyer made this Mass Art Vehicle out of steel. It is on a pair of railroad like tracks that start from nowhere and go nowhere. At the top of the hill is the museum building. There are exhibits inside as well as a cafe. I skipped the interior exhibits this visit. I like the towers, though. In spite of their windows being "too low," they make me think of Rapunzel.
Julian deCordova, son of a Jamaican trader was a tea merchant and president of Union Glass of Somerville, MA. Self educated and a world traveler, he remodeled his Lincoln home in the style of a "European castle." I can see a definite Spanish (and possibly Moroccan, African or Middle Eastern) influence in the brick work on the southern elevation.
Time at the Museum.
It was done by Robert Schelling. He has a Facebook page!!
but it's been a while since he updated it.
Sisters. It is a social commentary on the Disney version of Snow White.
I should have known it has ties to Texas. A collaborative of sculptors and artists from Austin got together and conceived this low-brow intrusion into the high-brow gardens. The tire tracks have ripped up the grass AND been filled in with red-clay colored concrete.
I took a picture of this because you don't get to see them at length very often. It claims it is protected by multiple patents --- don't you wonder what the claims were?
Do you recognize it?
I would like to have something like this in the back yard. Then I could climb on it. It is Walking Flower Times the Power of Five by James Surls.He's from Texas and worked on pipelines, but switched to making art that
explores the relation of nature and industry.
Musical Fence by Paul Matisse is a crowd pleaser, especially the many children who visit. Made of pipes set in concrete, it is supplied with wooden mallets with which one can bang on the pipes. That activity was apparently SO popular in the sculptures original location, that the neighbors complained... hence the relocation to the sculpture garden.
He is the grandson of Henri Matisse and stepson of Marcel Duchamps-- and went to Harvard.
Requiem for the 20th Century by
This girl's dad and baby brother were ready to leave the Musical Fence long before she was. But she pulled herself away in time to avoid being scolded OR left behind.
There was an installation in a small gallery adjacent the museum store. It is called Fruit of Our Labors and is evolving. The artist,Tim de Christopher, carves stone, seeks out found objects and combines them as he pleases.
I particularly enjoyed squinting at and reading the titles of the books he collected. Carpentry seemed relevant. A History of Free Masonry, not so much.
Doesn't the broom look like it was left there by the cleaning crew?
And then there was the actual gift shop. I love museum gift shops. I really liked this screen printed cat card!
A snarky collection of magnets: He put on his wild suit and departed in search of liquid refreshment and congenial entertainment. Snacking between meals is the least, but tastiest of my problems. I'm worth two in the bush. I'm addicted to shiny things. The drinks came. I wasn't about to be sobered by anything like regret. I disembowel. It's what I do. She sighed -- close to tears. Nothing could ruin one's enjoyment as much as an uncomfortable shoe . Oh. Your an artist.Dealing with you is like herding cats.
There were funny constructions made from metal "stuff."
And some fascinating ceramic pieces which incorporated horse-hair weaving and beads and knots.
If you want to be happy for a short time, get drunk; happy for a long time, fall in love; happy for ever, take up gardening. Chinese saying
to win back my youth, there is nothing I wouldn't do -- except take exercise, get up early or be a useful member of the community. Oscar Wilde
The trouble with jogging is that the ice falls out of your glass.
How beautiful it is to do nothing and then to rest afterwards. Spanish proverb.
When cooking, food licked of spoons has no calories.
See the sheep?