Showing posts with label Maine. Show all posts
Showing posts with label Maine. Show all posts

Thursday, September 24, 2015

We were having an adventure!




 Even though DH and I both had bursts of wanderlust and cabin fever, we didn't get away from home until after Labor.  Let's go to Nova Scotia!  New Bruswick! Cape Breton!  Downeast Maine!

So we booked passages on the Nova Star, a ferry that sails from Portland, Maine to Yarmouth, Nova Scotia.

This wolf was one of the first amazing sites we saw.  We were taken by surprise; made curious, and encouraged to look for other surprises -- which was an attitude we kept for the entire trip.
























The night before we left, there was a television show about the best bakeries in New England.  One of them was in Portland:  The Standard Baking Company.  
We went in and sniffed. There isn't much that smells better than hot bread or rising yeast dough. 
I had done a little searching about yarn shops (D'oh!) and so we also found Tess' Designer Yarns nearby. Her building was undergoing rennovation which camouflaged the door to the shop, but Tess herself was taking a break on the front stoop.  When I told her I was looking for Tess' yarns she invited me into see the shop.  What an amazing supply of hand-dyed-by-HER yarns.  At that stage I didn't want to lug around additional yarn, but I did buy a kit (to be revealed later) within hours of returning home. If you want amazing fiber blends (from around the world) dyed in amazing colors, check out her store.  They are not your grandmother's yarns!  Nor your local craft suppliers' either.
















Even after the bakery and yarn stops we had considerable time before we could join the queue to get on the Ferry.  There was a large free parking area to the North of the dock, so we parked there.... and were startled by the life-like wolves about 10 feet from the hood of our car.


Andy Rosen, the artist, is an adjunct professor at the University of New England in Biddeford, Me. His current work illuminates the tensions and relationships between the nature and the humanly developed environment.










At the same time there was a variety of boating activity.  Some folks were preparing an enormous, sleek Schooner -- either for a sail or for a party.  Others were on harbor tours, small ferries, fishing boats.































There was also a swarm of beginner sailors in small craft.  They bobbed about in the wakes of the ferries and fishing boats and tried to follow the orders of the instructor who was in his own boat.  Apparently Sail Maine has classes for people from 8 to 80 and teaches navigation, pleasure sailing and racing. The dinghies in the photo are "Collegiate 420's," a 14 foot boat sailed (usually) by two people.













We thought we'd see if the Ferry Company was letting cars into the queue.  They were!  So we got out our passports and parked between the lines behind a windscreen.  It wasn't too long before we realized the ferry was coming in.  Some of the other co-passengers leaped out of their cars and peeked at the ferry between the barrier and the screen.


 Is was almost alarmingly large.
 I don't know how many cars took the same passage as we did.  There were also about 30 Harley Davidson riders (who, it turned out, were heading for the Wharf Rat event in Digby, Nova Scotia) and at least five eighteen-wheel tractor-trailor trucks.
 Once we were parked, we took our overnight bags and headed for our cabin where an elephant and a lobster (?) made us feel welcome.
Anchors away!


Tuesday, September 22, 2015

Apparently I mostly took summer off

I didn't mean to take summer off, but I also didn't give myself very strict orders about getting to the easel or producing any particular number of paintings.  But today was a happy return to studio painting sessions with my friend and artist Paula Mingolelli.  

I took fewer tubes of paint than I used to, which forced some interesting color mixing challenges.
This is ONLY preliminary... An Ogunquit, Maine view of the Atlantic.
 

And since I got the entire canvas wet, I started another panel.  Believe it or not this is destined to turn into a view of a cranberry bog during harvest season.  (I may get NEW photos in a couple of weeks... but for now, this is what a rough beginning looks like.)


Tuesday, June 23, 2015

Back at the easel

 I can't believe it was 6 weeks ago, but that was when my studio art guide resumed guided studio art sessions.  I really enjoy composing, plotting, painting, swiping and wiping SO much!
I haven't titled the painting above, but it's a sort of continuation of the series of metaphorical houses and homes I began while still back in Texas.  If you have suggestions, be sure to let me know.




While I love painting whimsy, I tend to think that painting more traditional subjects teaches me more about the craft.  (This may or not be true. After all, thoughts are not necessarily facts!)

I found a reference photograph from a trip to the Museum of American Art in Ogunquit Maine and am aiming at making the image mine, rather than terribly realistic.  Watch this space to see if I can capture the light, the warmth and the mystery of this scene.

Monday, November 24, 2014

Change of Seasons at George Marshall Store Gallery

Lisa Noonis:  Blue Berries
After the hours I spent "curating" my visit to the Unraveled exhibit in York, I'm just going to post the pictures I took at the Change of Seasons Show down the road.  This show will be up all winter while Ms. Harding scouts new talent. 

There is a list of all the artists on the GMSG web page HERE .  On many of the photos, you can double click to "original" size in order to read the label. Now I feel remiss in enjoying the show rather than really documenting it.  Well, it will be up through Spring, so maybe you can go see it in person!

 In the meantime, get inspired, enjoy, and make art!

There's almost always something "tasty" just as you enter the storm door!

Grant Drummler:  Swimming Cove

Kate Emlin:  Aouze

Madeleine Hopkins:  Winter Sun

Jenny Potter Scheu:  Summer Tapestry

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Encaustic!  Just one piece, but definitely different.
Arthur DiMambro:  Room With a View

Lisa Noonis:  City on the River

Louis Bourne:  Island Badminton

Brett X. Gamache:  Fisherman Rowing and Gulls
Lisa Noonis: Harbor Beach
Lisa Noonis
  
These are gouache... applied, I think, as if they were oils.  Small but strong works.


Madeleine Hopkins
 The painting below uses all the crazy colors I love.  Sort of a wild child! 

Ann Trainor Dominque:  Falling Toward Winter


 The painting below is actually watercolor on paper, then varnished.
 Watercolor and ink.  This was so different from everything else! Looked almost Japanese to me.


 This funny little painting looks just like one of Portland's Casco Bay  islands.  The jagged light line of the sun highlighting clouds is so primitive, but so "true"  just the same.
 Kathleen Galligan has the solo show on the lower level.  There were oils as well as pastels; landscapes as well as abstracts.